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“At 16, I moved to California,” Kurupt explained from his spacious “studio house.” “I brought that skill over here, and that’s when Dr. Philly gave me my skill, and California critiqued it.” California critiqued it, embraced it and various media outlets used that diverse skill set to turn individual beefs between Suge Knight, Sean Combs, Tupac Shakur and the Notorious B. DX: How long did it take you to get rejuvenated again? That was that transition of learning who I was as a man, which I found that a lot of people live the artist. They don’t even know who they are as a man or as a woman. During those times right there, that was the transition of me learning who I was as a man, which kind of took away from the lyrics. When we got back together, it was hard to transition after so much bad blood amongst each other to get back in rhythm together.

Dre and [Snoop] Dogg taught me how to make records. It took away from making records, because I was in a confused place with the transition between being a man, being the artist and being the father—the whole ball of wax. Money and power can be a poison or it can make you as a person. Nobody can touch you, and the next thing you know you feel that you’ll be able to do this forever, and you take that hiatus. You got these records where you’ll see we’re trying to get our rhythm back.

Dillinger recently spoke to Hip Hop DX about his newest effort, his working relationship with Tupac and the current state of West Coast Hip Hop.

As one of the original innovators of the signature sound, Dillinger said the onus is on West Coast rappers adapt to the times and current state of the game. Daz Dillinger: Just shooting movies, editing movies.